It was shockingly easy for Lovejoy to convince his entire staff to go see the new Cats & Dogs film. Convincing them all to do a full review for the film proved to be much harder. However, he did manage to squeeze a single sentence out of each of them. Think of this as your furry version of Rotten Tomatoes.

Though Predators still felt like a “mixed bag” movie to me. It did some things right, a lot of things just okay, but thankfully, it never really went in the wrong direction at any point in time. And this is coming from a guy who was an Aliens and Predator fanatic when he was younger.

The Sorcerer’s Apprentice stars Nicolas Cage, so it’s going to be a crap shoot in terms of quality. Lovejoy and Corvi have two different takes on the Summer magic flick.

It’s hard to believe that a movie about a teenage girl trying to bone half the cast of Universal Studios’ Monsters could be pretentious, but I’ll be damned if it doesn’t try! From the first lines of Bella reading Robert Frost’s “Fire and Ice” to the numerous statements on morality, Eclipse manages to be preachy about a subject that is not an issue for 100% of the universe: fucking vampires.

The Last Airbender is a pointless movie. Who remakes a TV series into a film? Plenty of people have used film to extend the stories of cancelled shows. And other people use movies to adapt written word to a visual medium. But Avatar: The Last Airbender is already a visual medium, with a finished story that doesn’t benefit from a white kid with leukemia and that Indian guy from The Daily Show.

Toy Story 3 tries to do something pretty brave: it attempts to age in real time, with as much time passing in-universe since the previous film as has passed in real life. Something similar was tried with the Harry Potter books, but while that mostly resulted in the books getting overlong and less well edited, with Toy Story 3, it actually succeeds.

Look we’re all adults here. And as much as we’d like to review every talking animal flick that comes along, the truth is that we don’t have the time, or the alcohol budget, to make that feasible. What we do have time for is to glance at the posters lining the hallway of our local cinemas, and make judgments about the films from a quick glance. And that’s exactly what we did.

We’re bringing back double reviews. And what better movie to splice up with two reviewers, than Vicenzo Natali’s creepy, perverse film about genetic modification and hot French chicks with scorpion tails?

After six years, over a hundred episodes, and countless snide remarks about the plot made by people who never even watched the show, Lost has come to an end. To cap the whole series off is an epic, two and a half hour finale that’s sure to be divisive, even among the series’ staunchest fans. How does it all measure up?

The penultimate episode of Lost sets the stage for what promises to be a pretty damn epic finale. After a season of bringing two storylines to a head, the switches are ready to be thrown to send both plots (and both worlds) full steam ahead to their respective culminations, which may very well be one in the same.